Differences
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choir [2017/06/29 13:50] mike created |
choir [2017/06/29 13:54] (current) mike |
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| === Walkthrough and Reference === | === Walkthrough and Reference === | ||
| ==== Monitoring ==== | ==== Monitoring ==== | ||
| - | * Aviom connected with a wedge monitor via a 1/4" cable | + | * Connect Aviom/ME-1 to wedge monitor via a 1/4" cable |
| - | * ONLY KEYS AND LEAD VOCAL this will help with feedback. Do NOT put choir in it. | + | * Use ONLY KEYS AND LEAD VOCAL this will help with feedback |
| + | * Do NOT put choir in the monitor | ||
| ==== Mic Placement ==== | ==== Mic Placement ==== | ||
| * Use 1 or 2 - SM137 (or PG81) | * Use 1 or 2 - SM137 (or PG81) | ||
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| * Aim down from above 2/3 of the way back | * Aim down from above 2/3 of the way back | ||
| ==== EQ ==== | ==== EQ ==== | ||
| - | * High Pass - Start around 160Hz and use your ears to dial in exactly where it should land. It should keep the bass, kick, and other low end out | + | * High Pass - Start around 160Hz and dial in from there. It should keep the bass, kick, and other low end out |
| - | * Low Pass - Start around 8kHz and dial it in from there. You may need more or less depending. | + | * Low Pass - Start around 8kHz and dial it in from there |
| * Others - Use other filters to eliminate feedback | * Others - Use other filters to eliminate feedback | ||
| - | ==== Pan - Pan mics L and R | + | ==== Pan ==== |
| - | ==== Compressor - Generally don't need comp on choir | + | * Pan mics L and R |
| - | NO full claps - If the choir claps have them make it very soft or "fake" clap | + | ==== Compressor ==== |
| + | * Don't compress choir | ||
| + | === NO full claps - only very soft or "fake" claps === | ||
